JACQUIN, J.F. (Baron von). Eclogae Plantarum Rariorum aut minus cognitorum quas ad vivum descripsit et iconibus coloratis illustavit... Vienna, Anton Strauss for the author, 1811-16. Folio (514 x 348mm). pp. viii, 155, with 101 hand-coloured engraved plates;

First edition, large-paper deluxe issue on papier vélin, with an Imperial presentation inscription,of the major publication of Joseph Franz, son of and botanical successor to Nikolaus Joseph. Like his father's publications, this work features rare exotics recently introduced into cultivation in the Imperial gardens, including many South African species. Joseph Franz (1766-1839) had succeeded his father as director of the Schönbrunn gardens, and employed many of the same plant collectors as had worked for his father. A second volume, containing a further 67 plates, was published posthumously in 1844 by Eduard Fenzl and the author's daughter Isabella Schreibers, and is often missing (as for example from the Austrian National Library). This work is exceptionally rare, the Plesch-de Belder copy being the only one on the market in the last 50 years. Provenance: an Imperial gift from the Emperor Ferdinand I to the library of Olmütz, inscribed Ex munificentia Summi Imperantis Ferdinandi I 1837 with shelfmark on endleaf; stamp on title of the Imperial Library of Olmütz (Biblio: Caesareae Olomucii) and later stamp of same library with release on verso of title Nissen BBI 969; Great flower books p 61; Stafleu and Cowan 3236; GV 66 215 (vol 1 only); Sammlungen der vereinten Familien- und Privat-Bibliotheken Sr. M. des Kaisers, vol II 260 (vol 1 only); Wurzbach IX 25 (vol 1 only); Österreichs National-Encyklopädie III 5 (vol 1 only)

JACQUIN, N.J. Collectana Austriaca ad Botanicam, Chemicam et Historiam Naturalem spectantia, cum figuris. Vindobonae, Officina Krausiana/ Officina Wappleriana, 1786-1796. 5 volumes (including the supplement). 4to. (1) pp. 386; (2) pp. 374; (3) pp. 306; (4) pp. 359; (5) pp. 171. With 106 engraved plates, all but 8 coloured by hand.

Nissen BBI, 970; Hunt 681. A fine copy in very attractive Viennese contemporary bindings. The work is a sequel to Jacquin's 'Icones Plantarum Rariorum' and describes a.o. plants figuring in that work. The plates of the 'Collectana' as in all other works of Jacquin are of a very high quality and belong to the best of this Golden Period of Viennese natural history book production. The British Museum Natural History Catalogue gives an exact listing of its contents. "Contains figures of several Cape plants, and descriptions of many others of which the figures only appear in the 'Icones plantarum rariorum' (Kerkham. Southern Botanical Literature 1600-1988, 313).
  
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JACQUIN, N.J. Icones Plantarum Rariorum. Vienna, Friederich Wappler, 1781-1793. 3 volumes (465 x 300mm). Folio. With 649 handcoloured engraved plates, many folding.

First edition of one of Jacquin's most beautiful and decorative works and with its 649 plates, Jacquin's largest publication. Many copies of the work remained incomplete due to the turbulent political climate in Europe at that time. For this publication Jacquin was able to employ Franz and Ferdinand Bauer. Jacquin is credited for the fact that he 'discoved' the Bauer brothers' talents. He, however, was unable to retain their services. Ferdinand started to work on Sibthorp's 'Flora Graeca' and Franz was lured away by Sir Joseph Banks. Franz Bauer was to become the 'greatest botanical artist of all times' according to Blunt. Their plates in the present work, although unsigned, are easily recognisable for those qualities of detail and depth that distinguish their later work. Two other artists involved in this work are Joseph Hofbauer and Joseph Scharf, who also contributed to Jacquin's other works. Nicolaus Joseph Jacquin (1727-1817) was born at Leiden and as did many Dutchmen at that time, sought his fortune in Vienna. His career is closely associated with the history of the imperial gardens at Schönbrunn. He was appointed director of the Schönbrunn- and University Gardens by Empress Maria Theresia. This last garden under Jacquin's direction soon became the most celebrated garden of its day. 'In due course, gigantic glasshouses were erected where, as a French traveller relates, "tropical birds, flying among palm-trees, bamboos and sugar-canes, gave the illusion that the visitor had been transported into the heart of America."' (Blunt & Stearn). The 'Icones Plantarum Rariorum' is devoted to the depiction of rare plants, mostly recently introduced exotics growing in the Schönbrunn Gardens. 'Many South African plants are illustrated' (Kerkham, South African Botanical Literature. 316). The work also features many tropical American plants and plant collectors were sent out all over the world to collect plants. Schall for example remained twelve years at the Cape, during which time he sent frequent consignments of bulbs and seeds to Vienna. The book was first planned as one volume but enlarged to two and finally three volumes as a flood of new plants were arriving at Schönnbrunn, which had not yet been portrayed. The editions of Jacquin's works have been very small and were out of print immediately after publication. 'Wie bereits erwähnt, waren Jacquin's Werke stets bald nach Erscheinen vergriffen. Bezüglich der Icones wird dies auch in der 'Nachricht' J.F. v. Jacquins bestätigt. Ihre Seltenheit wird auch in den Bibliographien der Zeit betont und noch in den folgenden Jahren auch durch Suchanzeigen bewiesen" (H.Dolezal, Zur Editionsgeschichte der Icones Plantarum Rariorum.. in 'Festschrift für Claus Nissen' pp. 136-172). Nissen himself describes the work as 'das schönste Denkmal des goldenen Zeitalters der österreichischen Botanik'. Great Flower Books p. 61; Junk Rara p. 41; Nissen BBI, 974.
  
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JACQUIN, N.J. Miscellanea Austriaca ad Botanicam, Chemiam et Historiam Naturalem spectantia. Vindobonae, ex Officina Krausiana, 1778-1781. 2 volumes (bound in one). 4to. pp. (4), 636, with 44 (4 folded) handcoloured engraved plates.

Nissen BBI, 975; Stafleu & Cowan 3248. A beautifully illustrated work of the Dutch born Austrian Baron Nikolaus Joseph von Jacquin (1727-1817), who was professor of botany and chemistry at the University of Vienna (enobled in 1806). Jacquin was the most important exponent of the Viennese school of Natural History illustrations. Unlike the title suggests the work almost entirely deals with botany, only one plate is dedicated to entomology. The drawings for the plates were made by Jacquin and the engravings (but only a few so signed) by Adam. "Includes Cape plants" (Kerkham. Southern Botanical Literature 1600-1988, No. 317). A very good copy.
  
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JACQUIN, N.J. Observationum botanicarum, iconibus ab auctore delineatis illustratarum. Vindobonae, ex Officina Krausiana, 1764-1771. 4 parts (bound in 1). Folio. pp. (8), 48; (4), 32, (2); (4), 22; (4), 14, with 100 (36 folded or double-page) fine engraved plates and 4 title-vignettes

Dunthorne 149; Hunt 586; Nissen BBI, 976; Pritzel 4364; Stafleu & Cowan 3244. First and only edition. This beautifully illustrated work describes plants newly discovered or previously imperfectly described, many from the Caribbean region. The plates were executed by Wagner after drawings by Jacquin himself. A very fine entirely uncut copy.

JACQUIN, N.J. VON. Hortus Botanicus Vindobonensis seu Plantarum Rariorum quae in horto botanico Vindobenensi. Viennae, L.J. Kaliwoda, 1770-1776. 3 volumes. Folio (470 x 290 mm). With one engraved handcoloured plan of the garden and 300 handcoloured engraved plates.

First edition, a large and superbly bound copy of the first of the great Jacquin colour-plate books, issued in an edition of 162 copies only (the present copy is numbered 143). This sumptuously produced work was issued under the patronage of the Empress Maria Theresa and shows ornamental and economic plants, both European and exotic growing in the Vienna Botanic Garden. The fine and decorative plates are by Franz Scheidl, an artist of great talent, who became Jacquin's principal artist and helped to establish the Jacquin style of botanical illustration. 'When in 1769 Maria Theresa, Queen of Hungary and Bohemia and widow after Emperor Franz I, appointed the forty-two-year old Dutchman Nikolaus Joseph Jacquin professor of chemistry and botany at the University of Vienna, nobody foresaw that this man was substantially to dominate botany in this city for almost half a century. Jacquin, who after R. Laugier became second director of the botanical garden, also founded by Maria Theresa and belonging to the University of Vienna, is considered to be the actual creator of this institution, which today... is still situated in the same location in the immediate vicinity of two further gardens: the grounds of Schloss Belvedere, built for Prince Eugene of Savoy, and the garden of the palace of the Princes Schwarzenberg. Jacquin quickly succeeded in enriching his garden by new acquisitions from all over the world and in publicising it with his 'Hortus botanicus Vindobonensis. Gratefully dedicated to Maria Theresa, this work comprises descriptions and illustrations of three hundred selected plants cultivated in the botanical garden of the University of Vienna' (100 Botanische Juwelen 43). Nissen BBI 973; Great Flower Books p. 61; Stafleu and Cowan 3246'. See Oberhummer, in Studien zur Geschichte der Uinversität Wien 3, 1965, pp 140-155
  
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JACQUIN, N.J. VON. Hortus Botanicus Vindobonensis seu Plantarum Rariorum quae in horto botanico Vindobenensi. Viennae, L.J. Kaliwoda, 1770-1776. 3 volumes. Folio (470 x 290 mm). With one engraved handcoloured plan of the garden and 300 handcoloured engraved plates.

First edition, a large and superbly bound copy of the first of the great Jacquin colour-plate books, issued in an edition of 162 copies only (the present copy is numbered 143). This sumptuously produced work was issued under the patronage of the Empress Maria Theresa and shows ornamental and economic plants, both European and exotic growing in the Vienna Botanic Garden. The fine and decorative plates are by Franz Scheidl, an artist of great talent, who became Jacquin's principal artist and helped to establish the Jacquin style of botanical illustration. 'When in 1769 Maria Theresa, Queen of Hungary and Bohemia and widow after Emperor Franz I, appointed the forty-two-year old Dutchman Nikolaus Joseph Jacquin professor of chemistry and botany at the University of Vienna, nobody foresaw that this man was substantially to dominate botany in this city for almost half a century. Jacquin, who after R. Laugier became second director of the botanical garden, also founded by Maria Theresa and belonging to the University of Vienna, is considered to be the actual creator of this institution, which today... is still situated in the same location in the immediate vicinity of two further gardens: the grounds of Schloss Belvedere, built for Prince Eugene of Savoy, and the garden of the palace of the Princes Schwarzenberg. Jacquin quickly succeeded in enriching his garden by new acquisitions from all over the world and in publicising it with his 'Hortus botanicus Vindobonensis. Gratefully dedicated to Maria Theresa, this work comprises descriptions and illustrations of three hundred selected plants cultivated in the botanical garden of the University of Vienna' (100 Botanische Juwelen 43). Nissen BBI 973; Great Flower Books p. 61; Stafleu and Cowan 3246'. See Oberhummer, in Studien zur Geschichte der Uinversität Wien 3, 1965, pp 140-155
  
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